#The pearl john steinbeck citation how to

Hamon, P ( 1981) Rhetorical status of the descriptive (trans. Hammersley, M, Atkinson, P ( 2007) Ethnography: Principles in Practice ( 3rd edn).

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Goffman, E ( 1955) On face-work: An analysis of ritual elements in social interaction. Ithaca, NY: Cornell University Press.Дunning, T ( 1993) Accurate methods for the statistics of surprise and coincidence. Berkeley and London: University of California Press, 18вЂ“ 19.Д¬hatman, S ( 1978) Story and Discourse: Narrative Structure in Fiction and Film. In: Chipp, HB (ed.) Theories of modern art: A source book by artists and critics. URL ( accessed 9 March 2010): Д¬Г©zanne, P ( 1968 ) Letter to Emile Bernard. American Sociological Review 61(5): 884вЂ“ 899.Д«ukodi, E ( 2007) Social stratification and cultural consumption in Hungary: Book readership. Cincinnati, OH: WriterвЂ™s Digest Books.Д«ryson, B ( 1996) вЂAnything but heavy metalвЂ™: Symbolic exclusion and musical dislikes. Stanford, CA: Stanford University Press.Д«ova, B ( 1994) The Craft of Writing Science Fiction That Sells. Cambridge: Polity Press, 112вЂ“ 144.Д«ourdieu, P ( 1996 ) The Rules of Art: Genesis and Structure of the Literary Field (trans. In: Bourdieu, P The Field of Cultural Production: Essays on Art and Literature. Cambridge: Polity Press, 254вЂ“ 266.Д«ourdieu, P ( 1993c ) The market of symbolic goods (trans. Cambridge: Polity Press, 176вЂ“ 191.Д«ourdieu, P ( 1993b ) The historical genesis of a pure aesthetic (trans. London, Melbourne, Henley: Routledge & Kegan Paul.Д«ourdieu, P ( 1993a ) Principles for a sociology of cultural works (trans. London and New York: Routledge.Д«ourdieu, P ( 1986 ) Distinction: A Social Critique of the Judgement of Taste (trans. Cambridge: Cambridge University Press.Д«ennett, T, Savage, M, Silva, E, Warde, A, Gayo-Cal, M, Wright, D ( 2009) Culture, Class, Distinction. Book History 3: 155вЂ“ 165.Д«ennett, T, Emmison, M, Frow, J ( 1999) Accounting for Tastes: Australian Everyday Cultures. European Journal of Cultural Studies 14(3): 129вЂ“ 145.Д«ell, B ( 2000) Beyond the death of the author: Matthew ArnoldвЂ™s two audiences, 1888-1930. Poetics Today 29(3): 473вЂ“ 523.ДЄllington, D ( 2011) Distinction, intentions, and the consumption of fiction: Negotiating cultural legitimacy in a gay reading group.

#The pearl john steinbeck citation how to

Journal of Literary Semantics 35(2): 123вЂ“ 144.ДЄllington, D ( 2008) How to do things with literature: Blasphemous speech acts, satanic intentions, and the uncommunicativeness of verses. It is argued that a long-standing tradition of association between descriptive writing and visual art has served as a resource both for consumers and for producers in distinguishing literature from popular fiction.ДЄllington, D ( 2006) First steps towards a rhetorical psychology of literary interpretation. In order to understand this association, the analysis then turns to two paragraphs from John SteinbeckвЂ™s The Pearl (2000 ), which had been read by most of the groups involved and which many group members had referred to as involving вЂdescriptionвЂ™. Quantitative and qualitative analysis of reading group (or вЂbook clubвЂ™) discussions reveals an association between descriptive writing, cultural legitimacy, and a focus on the form, rather than the content, of fictional texts. Its purpose is to investigate the social production of literary value, potentially providing cultural sociology with a systematic means by which to study the formal features of texts in relation to their social significance: a means arguably required by (but not necessarily supplied in) the work of Pierre Bourdieu.

This article proposes a form of research that integrates reader study with textual analysis.